Showing posts with label kanye west. Show all posts
Showing posts with label kanye west. Show all posts

Tuesday, November 17, 2009

Carrie Underwood performs "Temporary Home" on 'Tonight Show'

Carrie Underwood took a break from her "Cowboy Casanova" when she visited NBC's The Tonight Show with Conan O'Brien this evening, instead opting to perform the critically-acclaimed ballad "Temporary Home." Watch the performance below:



So what are the chances "Temporary Home" will be single No. 2? It seems highly likely at this point, and it would make sense for "Cowboy Casanova" to be worked at Hot AC radio ASAP, so maybe that's Arista Nashville's plan. Or maybe not...

Following the performance, Carrie sat on O'Brien's couch to chat with the host about her hosting duties at the CMA Awards last week, where she joked "it's not like hosting's hard or anything," which got a laugh out of O'Brien. She also said if Kanye West contacts her about her and Brad Paisley's joke songs about him at the CMAs she'll "blame it on Brad."

Carrie also promoted her two-hour Christmas special on FOX, which premieres Mon., Dec. 7. She will next visit Ellen on Wednesday where she will perform "Cowboy Casanova."

[+/-] Show Full Post...

Sunday, November 15, 2009

Album review: Kris Allen's 'Kris Allen'

Fresh off one of the most talked about seasons of ‘America Idol,’ champ Kris Allen offers up a valiant effort on his self-titled debut. Even though he is given a wide cast to work with in putting the album together Allen struggles to state his true identity because of the wide variety of sub-styles found on the album’s tracks.

Kicking off the disc with lead single “Live Like We’re Dying,” Allen is smart to begin on a positive note with a song that features a comforting message. Even though there is nothing spectacular about the songwriting or production here, his vocals fit the style fairly well.

The single is a good indication of the mixed bag that follows. Part of the problem here is the diverse range of styles covered by Allen, so many that its seems like he is trying to sound like already established artists. “Can’t Stay Away” finds Allen shooting for a more Rob Thomas kind of sound, and it actually sounds alright, but the annoying “oh uh oh / oh uh oh”s tagged onto the end of the chorus sound immature. On “Written All Over My Face,” however, a more electronic rock sound makes it seem like Allen is trying to take on the Red Hot Chili Peppers would record. Still, it has its catchy parts.

Even though “Bring It Back” is written by Allen and Francis White, it sounds like it’s right off OneRepublic’s debut. Usually listeners can tell if Ryan Tedder has some involvement in a song’s writing or production, but in this case his fingers came nowhere near “Back” and it still sounds like his work.

Aside from Allen’s apparent identity crisis, one thing that is painfully clear on ‘Kris Allen’ is the overabundance of clichés water down many songs’ lyrics, which is a little unfortunate because Allen wrote or co-wrote nine of the album’s tracks.

“Let It Rain” is the most forgettable track on the album. It literally does nothing to show Allen as an artist and sounds so recycled that it has no business being include over more worthy tracks that didn’t make the cut like “Send Me All Your Angels,” which he co-wrote with Chris Daughtry.

Despite a few clunkers, there are some potential hits found on the album. “Before We Come Undone” exhibits the commercial sound of Allen’s voice and the upbeat tempo help its viability on radio. “Alright With Me” is a fun sing-songy track that shows Allen knows how to have fun. It fits his character well and the lyrics in the verses are crafty despite the repetitive chorus (“It’s alright / alright with me / yeah it’s alright / alright with me”). “Lifetime” is awkward in its arrangement in parts, but it still is not bad.

“Is It Over” has a more country feel, which helps it stand out from the rest of the album’s tracks. Allen’s ability to adapt his vocals to fit the different instrumentation is remarkable, and it would serve him well to explore this area more in the future.

The Toby Gad-produced “The Truth” is the album’s strongest track even though it is very reminiscent of something The Fray would record. Allen’s lower register is actually solid and the verses here showcase it well.

One impressive aspect of ‘Kris Allen’ is the inclusion of his solo “Red Guitar,” which he wrote prior to gaining stardom. What’s even more notable is “Guitar” is one of the album’s strongest offerings because it is authentic Allen and shows the direction he really wants to go in his recording career.

Allen gives it his all on “I Need to Know,” which he co-wrote with Gad and Lindy Robbins. This is the second-best song on the album because it takes away heavy instrumentation and production and allows Allen’s vocals to do the speaking.

And Kanye West’s “Heartless,” which literally secured a spot in the finale for Allen, appears in the 13th slot with a revamped arrangement. Even though the song is most likely Allen’s signature song, and it should definitely be included over the dreadful “No Boundaries,” it would serve well as a bonus track instead of closing out the album.

Even though Kris Allen has a lot to learn about recording, he is one of the most proven artists to come from ‘Idol,’ and this disc is just the first step on a journey to a successful career.
Kris Allen will be available in retailers everywhere on Tuesday and can now be pre-ordered on Amazon.com.

[+/-] Show Full Post...

Tuesday, September 15, 2009

Kelly Clarkson crushes Kanye

At least in her blog she does. In a post dedicated solely to calling out Kanye West for his extremely unbecoming actions following Taylor Swift's win in the "Best Female Video" category for her "You Belong with Me" music video at Sunday's MTV Video Music Awards, Kelly Clarkson totally ripped the over-inflated, egocentric rapper on her personal blog. Although the whole post deserves to be placed below, here is a snippet:

I’ve seen you do some pretty shitty things, but you just keep amazing me with your tactless, asshole ways. It’s absolutely fascinating how much I don’t like you. I like everyone. I even like my asshole ex that cheated on me over you…which is pretty odd since I don’t even personally know you. The best part of this evening is that you weren’t even up for THIS award and yet you still have a problem with the outcome. Is winning a moon man that much of a life goal?? You can have mine if it will shut you up. Is it that important, really??
Wow, Kelly is so awesome and she doesn't even know it (or maybe she just has a ton more tact and class than Kanye will ever have). Congrats Kelly on the most interesting and candid blog you have ever posted.

[+/-] Show Full Post...

Sunday, September 13, 2009

Alums tweet their thoughts on Kanye-Swiftgate

So by now everyone has seen or at least hard about the drama that went down onstage between Taylor Swift and Kanye West at MTV's Video Music Awards this evening. Obviously, Idol alums had no shortage of opinions on the matter on Twitter. Below is a sampling of what some had to say:

LaBelleMusikKanye whaaaattttt! Omg. My heart just fell for that poor girl. He just killer her dream & whole moment. Wow. That was horrible. So wrong! :( about 2 hours ago from UberTwitter

TheRealJordinYessir! RT @ClaudeKelly hes a geat artist BUT every1, artists included, need 2 have tact, class, & respect. about 2 hours ago from Twitterrific

mcktweetytaylor (Cardin McKinney), sweet taylor. beautiful, classy, unTOUCHABLE taylor. GO girl. WIN that VMA without apologies!! :) WOO!!! WORK IT!!! :) about 1 hour ago from web

mdoolittleI know I'm late, but really Kanye? Really? Taylor Swift is the sweetest girl ever and Beyonce is so gracious. Not right at all! about 1 hour ago from TweetDeck

thedavidcooksounds like kanye was home sick during finishing school... 29 minutes ago from mobile web

Chikezie_Eze@thedavidcook You mean elementary school. You know he's illiterate. And quite proud of that fact... 23 minutes ago from web in reply to thedavidcook

LaBelleMusikBeyonce!!!!! *applauding her* wow. I'm such a weenie cuz I def cried just now! Yes. Hats off to her. She is such a beautiful soul. Classy. 16 minutes ago from UberTwitter

Chikezie_EzeLet me clarify, I AM a Kanye fan. But there's something 2B said 4 someone who demands respect and yet offers so very little... 13 minutes ago from web

mdoolittleLike I said...Taylor Swift is a sweetheart and Beyonce is such a gracious artist...pure class! 13 minutes ago from TweetDeck

TheRealJordin@mdoolittle it's probably a good thing I'm not there. You KNOW I wouldve said something. Ahahaha I miss you! 12 minutes ago from Twitterrific in reply to mdoolittle
Needless to say, Kanye has lost a lot of respect from people in all sectors of the music industry after tonight's events. And for good reason.

[+/-] Show Full Post...

Wednesday, May 13, 2009

About last night: vote [for Adam] or die?

Well it would be an understatement to say that the Top 3 finalists did a great job last night with each of their two songs. Yes, some were better than others, but they all deserve to be there out of the assortment of finalists we began the season with in the Top 13. That said, the stakes were so extreme last night that tensions boiled over between the judges, specifically Kara and Simon. Plus, the judges (and Ryan) took an extra step of cautioning viewers to not assume their favorites are safe (*hint*hint* vote for Adam!), so all in all things played out the way they were supposed to according to the playbook.

Kicking the night off was Danny, who was stuck with Paula's pick of "Dance Little Sister" by Terence Trent D'Arby. "Who?" you may ask? Well, Danny apparently had not even heard of the man, as he said he did not know what to think when he received the text while he was being interviewed on a Milwaukee radio station during his hometown visit. That said, Danny did his best trying to keep up with the fast-paced song and really had fun with it. The vocals were not top-notch but they were solid all the same.

The judges were positive about the performance on the whole, with Kara and Paula more interested in discussing the choreography but Simon did say the vocals were very good despite taking a jab at the "desperate" dancing, to which Randy and Ryan had a laugh about Simon criticizing dancing. Who would have thought Randy and Ryan would jump on that comment?

Danny took on "You Are So Beautiful" by Joe Cocker later on in the show, and the performance was really beautiful. The vocals were controlled and tender, and the stringed accompaniment was exactly the correct way to go about the instrumentation for the performance. Randy said Danny has "mad vocals," Kara lathered on the praise when she said it was "stunning" and that she had "nothing else to say," Paula said Danny left them "breathless" and Simon called it a "vocal masterclass." All of them were on target with their critiques, and this was probably Danny's best performance on the show.

The second performer of the night was Kris, who has been considered the dark horse for most of the season and he was under immense pressure to deliver last night. What seemed like a perfect fit for his style of singing in OneRepublic's "Apologize," however, did not go over as well as its selectors Randy and Kara had hoped it would.

Kris did hit a few bum notes and he cracked going into his falsetto at one point, but his piano playing sounded great with the song, which is one full of emotion and allowed Kris to show off his softer side (because he doesn't do that often enough, right?). Paula picked up on one of the bum notes but said he did his own artistic take on the song. Kara and Randy were not exactly happy, though, as Randy focused on Kris' after-Idol prospects and Kara called it a "competent" performance but he had to hit it out of the park and she didn't think he did. The reason: it was not original-sounding enough. This allowed Simon to swoop in for the kill, as he told Kara she had no business criticizing the arrangement since she and Randy picked the song, and then said Kara did not live up to her responsibilities in selecting the song.

Well, Kara would not have any of this, and she went into a shouting match with Simon trying to defend herself, but on this show Simon always gets the last word and this critique session was no different. Simon sort of had a point but Kara and Randy did not choose the arrangement for Kris part, so it is hard to blame that part on them. Still, Kris' first song was sort of a mess when the dust settled.

His second song, however, was leagues better and the fact that he was able to switch up Kanye West's "Heartless" to make it sound original and acoustic with just a guitar showed that he could be more than a singer, he could be an artist. This was more to Kara's liking, and she let it be known when she asked why Kris did not sing the first song the same way. Simon was more blunt in saying he had written off Kris' chances of winning weeks ago but after that performance, everything had changed. Whether or not that stands true will come in time, but for Simon to say that, he either must have been genuinely impressed or he was just trying to keep Kris' fans satisfied enough to go easy on the voting. Probably more of the latter, but still after eight seasons, the only person that can figure out Simon is Simon.

One weird thing I picked up on was how odd Ryan's behavior was all night. Following Kris' second performance, he started congratulating him on how far he had made it and how everyone enjoyed having him on the show, plus all the reminders that everyone needed to vote more than ever before to ensure the safety of their favorites. It seemed like he was really trying to wake Kris' fans up.

And then Adam was batting third in the pimp spot (where else would he be?), but it's important to realize that going last does not always guarantee safety this late in the game. Simon gloated about having to personally call U2's Bono up and ask if "One" could be cleared for Adam to sing, and it definitely was a good choice. Adam changed up the arrangement a ton and made it out to be extremely theatrical, which worked for him even though Randy was spot on in catching him drift off the melody a bit near the end. Overall, though, Adam did what he usually does and it was more than enough to impress Kara and Paula, and Simon continued to pound the rallying drums when he said if Adam did not make the finals, it would be one of the biggest upsets ever.

Adam said the lyrics were what really made him think the song was a great choice, and while it's true the song is an amazing piece of lyric writing, that doesn't mean it is ideal for every singer's vocal style.

But on Aerosmith's "Cryin'" Adam really brought the house down. He had fun being over-the-top because, well, the song is an over-the-top song to begin with. If it says one thing about himself, it says Adam knows exactly the kinds of songs that are perfect for his range. He hit all the high notes effortlessly, though some came out better than others, and showed why the producers keep letting him perform last. He also was able to sing over the pesky backup singer that tried to get in the spotlight by shouting the song.

As for the judges, it was unanimous. Randy called him one of the best performers they've ever had on the show. Kara said we'd see him in the finals. Paula said we'd be seeing him next week (and managed to work in a pre-written comment about frequent flier miles). And that brings me to Simon.

Simon basically pleaded with viewers to vote for Adam. He didn't even try to hide his favoritism, and told everyone not to assume he was safe. This is the first time I can recall Simon blatantly directing the audience how to vote, and this is outright wrong. By doing this, Simon is suggesting that Adam's fans cannot vote him into the finale on their own merit, so he decides to scare them into working their fingers to the bone. Based on the theory that the contestant that receives the fewest votes is eliminated, which the producers and the show itself has everyone accept as fact, Adam's fans would obviously spend the full two hours voting for him if they really wanted him in there. For Simon to sit them down like babies and instruct them how to vote because many will assume Adam's safety is just unnecessary. I understand the show wants Adam to win extremely badly but that doesn't mean they need to stretch the manipulation to lengths we have never seen before.

Anyway, it was nice of Adam to praise Danny and Kris for being tough competition following his final performance.

One last thing of note: the "Idol Gives Back" segment featuring Carrie Underwood's trip to Angola was the most obvious form of filler possible, but it was nice to see her out in Africa helping with the mosquito nets and just putting a smile on peoples' faces in general. It might have disrupted the flow of the show, but it also served as a reminder for the $140 million the cause has raised for aid to Africa and this country over the past three years.

Now its up to the voting public. Although many had pegged Kris as a third-place finisher since before last nights performances even took place, it seems that he stands a fighting chance of making the finale. We will see tonight.

[+/-] Show Full Post...

Thursday, March 12, 2009

Analysis: So that was the "secret," eh?

Now that the top secret twist is out in plain view, it's time we take a look at the repercussions (if any) that will be felt as a result. First of all, it's not nearly as bad as many suspected. The rampant rumor was that the judges would get to have the bottom two finalists have a "sing-off" and then they would decide who would go home each week. That would have been downright awful.

In the actual scenario, the judges will only get grant immunity to one finalist once during the entire season, and the option expires Top 5 week. What's important to stress is that the next-lowest vote-getter would not be eliminated, rather there would be a double elimination the following week. That is doable I guess, but it's a little pointless. The only thing it will be held onto for is the possibility of an Adam/Danny/Lil pre-Top 5 exit, which is just not going to happen anyway. So we'll see if there's any valid reason for this threat being brought into the judges' arsenal.

Oh, and Ryan - under this system, Chris Daughtry and Tamyra Gray would not have been able to be saved, as they were both eliminated during Top 4 week. So next time maybe you should have your aide(s) do your homework for you.

Now, back to the actual results. It was no surprise that a combination of Jorge/Megan/Jasmine were going to be eliminated last night, so they did their best to hype up the suspense. Putting Megan with Jasmine for the first "bottom 2" was a good idea, as she was probably really in the bottom 3 or just outside it. Putting Anoop with Jorge was deceiving, though, as he in fact received much more votes than they made it seem like he did. Allison Iraheta most likely should have been standing down there but to make it seem more believable, they decided to place someone who delivered a not so great performance in synthetic peril.

Jasmine's elimination proved that wild card picks don't always work out. Plus, there were a half-dozen girls that belonged in the Top 13 over her, but the judges had to find out they made a mistake the hard way. Doesn't matter, they won't learn regardless. Jasmine did the best she could do with "I'll Be There," but it did come across as being very pageanty and usually doing ballads sandwiched in between better and more memorable performances will lead to an exit. She did her best to control her emotions but keeping in mind that she's still only 17, she should not be ashamed of anything about her time on Idol. Ryan was actually useful last night as he comforted her.

Then there was Jorge, who would have been out early regardless of what he sang Tuesday and only got into the finals thanks to a fluke of a performance in Group 3. But picking a song with "Goodbye" in the title is never a good idea, so that just added to the Peurto Rican's problems. Simon might have been a little too blunt when he said "No. Sorry." after being asked by Ryan if the judges were going to exercise their saving grace on Jorge. But that's just Simon for you.

Kanye West performed his single "Heartless," which pretty much described the performance itself. The fact that it was pretaped was extremely noticeable and took away from what little excitement there was.

The highlight of the night was without a doubt Kelly Clarkson's return to the Idol stage to perform "My Life Would Suck Without You." She was her very own self in her pre-performance chat with old pal Ryan, giggling and joking about herself. The fact that she did her performance live added to the energy, as opposed to that other guy who was just used as filler. It goes without saying that Kelly is just in a league of her own in comparison to the current batch of hopefuls. There's just no way to say any of them match up to her at the moment, performance or vocals-wise.

Next week's theme, Grand Ol' Opry, should be fun for most, not for some (I mean you, Megan). Wonder if Adam will pick a Dolly song? Maybe Danny will do a hoe down to further show off his awesome dancing skills? It all remains to be seen. Plus Carrie Underwood will perform "I Told You So." You can't go wrong with that, now can you?

IDOL LIVE's predictions so far are not going too hot. For my original predictions, I incorrectly predicted Megan leaving 13th and Michael departing 12th, so I'm 0-2 in that respect. As for my pre-results predictions, I got the two eliminated finalists right, but the order wrong (predicted Jorge 13th, Jasmine 12th). So I'm also 0-2 in that department. It should be easier from here on out because we (hopefully) won't have to deal with any more of these ridiculous double elimination.

[+/-] Show Full Post...

Wednesday, March 11, 2009

IDOL LIVE Blog: Top 13 Results (3/11/09)

Join us tonight as we blog during the first (and hopefully last) Top 13 results show when two finalists will bite the dust. If that is not exciting enough for you, at least tune in to see how Kanye West and Kelly Clarkson fare in their performances. And it'll be fun to see how biased the judges are with their decision of whom to use their immunity power on. The blogcast will begin at 9 p.m. ET and will last one hour.



Tonight's blogcast will feature music from Bo Bice, Carrie Underwood, Jason Castro, Jennifer Hudson and Kelly Clarkson.

[+/-] Show Full Post...

Sunday, December 21, 2008

HITS predix: Cook 125-130k

In their predictions going into the final weekend before Christmas, HITS Daily Double included David Cook's major label debut, pegging it to sell anywhere from 125-130k for the week.

David Cook will be battling it out for the #10 spot with Kanye West's 808s & Heartbreak, venerable compilation series album NOW 29 and Anthony Hamilton's The Point of It All, all of which are trending toward the same total. It would not be a surprise, however, if the actuals are substantially higher than these numbers.

[+/-] Show Full Post...

Search & Win